Date: Tue, 4 Jun 2002 08:51:29 -0700 (PDT) From: eskrima-request@martialartsresource.net Subject: Eskrima digest, Vol 9 #194 - 8 msgs X-Mailer: Mailman v2.0.8 MIME-version: 1.0 Content-type: text/plain To: eskrima@martialartsresource.net Sender: eskrima-admin@martialartsresource.net Errors-To: eskrima-admin@martialartsresource.net X-BeenThere: eskrima@martialartsresource.net X-Mailman-Version: 2.0.8 Precedence: bulk Reply-To: eskrima@martialartsresource.net X-Reply-To: eskrima@martialartsresource.net List-Help: List-Post: X-Subscribed-Address: rterry@idiom.com List-Subscribe: List-Id: Inayan Eskrima / FMA discussion forum, the premier FMA forum on the Internet. List-Unsubscribe: Status: O Send Eskrima mailing list submissions to eskrima@martialartsresource.net To subscribe or unsubscribe via the World Wide Web, visit http://martialartsresource.net/mailman/listinfo/eskrima or, via email, send a message with subject or body 'help' to eskrima-request@martialartsresource.net You can reach the person managing the list at eskrima-admin@martialartsresource.net When replying, please edit your Subject line so it is more specific than "Re: Contents of Eskrima digest..." <<-------- The Inayan/Eskrima/Kali/Arnis/FMA mailing list -------->> Serving the Internet since June 1994. Copyright 1994-2002: Ray Terry and Martial Arts Resource The Internet's premier discussion forum devoted to Filipino Martial Arts. Provided in memory of Mangisursuro Michael G. Inay (1944-2000). http://InayanEskrima.com See the Filipino Martial Arts (FMA) FAQ and the online search engine for back issues of the Eskrima/FMA list at http://MartialArtsResource.com Mabuhay ang eskrima! Today's Topics: 1. Sayoc Kali Seminar (Steven Lefebvre) 2. San Miguel Eskrima (Stephen Lamade) 3. footwork? (Ray Terry) 4. Springer-Do (Ray Terry) 5. FMA FAQ update (Ray Terry) 6. June Pekiti-Tirsia seminars (bill m) 7. Re: footwork? (Mike Casto) 8. Ties That Bind (Ray Terry) --__--__-- Message: 1 From: "Steven Lefebvre" To: eskrima@martialartsresource.net Date: Mon, 03 Jun 2002 11:05:45 +0000 Subject: [Eskrima] Sayoc Kali Seminar Reply-To: eskrima@martialartsresource.net Hello Everyone, I would like to invite anyone interested in learning more about Sayoc Kali in the New England area, to a 4 hour Intensive blade seminar with Guro Steven Lefebvre in Manchester, New Hampshire. Date: June 15th Time: 11:00am - 3:00pm Place: Bujinkan Dojo 250 Commercial st, suite 2008 Manchester, NH, 03101 Cost:$40.0 Contact Info: Airyu@hotmail.com, (603)668-3181 Requirements: two training blades(aluminum), comfortable training attire. Gumagalang Guro Steve Lefebvre (Sayoc Kali) www.Bujinkandojo.net www.Sayoc.com _________________________________________________________________ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx --__--__-- Message: 2 From: "Stephen Lamade" To: eskrima@martialartsresource.net Date: Tue, 04 Jun 2002 01:45:34 +0000 Subject: [Eskrima] San Miguel Eskrima Reply-To: eskrima@martialartsresource.net Tom Bisio will be teaching a San Miguel Eskrima seminar on Sunday, September 15, 2002, in Whitestone (Queens) NY. For further information please go to: http://home.mindspring.com/~lhommedieu/Seminar%20Information.htm Best, Steve Lamade San Miguel Eskrima _________________________________________________________________ Chat with friends online, try MSN Messenger: http://messenger.msn.com --__--__-- Message: 3 From: Ray Terry To: eskrima@martialartsresource.net (Eskrima) Date: Mon, 3 Jun 2002 20:08:41 -0700 (PDT) Subject: [Eskrima] footwork? Reply-To: eskrima@martialartsresource.net I was asked to forward this to the list... i'd like to throw out a topic for discussion... uses of footwork, how often does the system you train in practice it, what do they tell you are some of the purposes of footwork, and how do is footwork discussed and applied during drills, sparring, etc..? --__--__-- Message: 4 From: Ray Terry To: eskrima@martialartsresource.net (Eskrima), the_dojang@martialartsresource.net (The_Dojang) Date: Mon, 3 Jun 2002 20:14:38 -0700 (PDT) Subject: [Eskrima] Springer-Do Reply-To: eskrima@martialartsresource.net For the Jerry_Springer-Do fans out there, or what it takes to be a well known security guy. Taken from my little hometown newspaper about Security Steve. He is visiting there shortly. "Steve Wilkos is a Chicago native who served in the US Marine Corps for seven years. He received an honorable discharge in 1989. Wilkos serves as a full-time police officer in Chicago. In 1994 he started working as a security guard for the show and has become a celebrity." Ray Terry --__--__-- Message: 5 From: Ray Terry To: eskrima@martialartsresource.net (Eskrima) Date: Mon, 3 Jun 2002 20:33:17 -0700 (PDT) Subject: [Eskrima] FMA FAQ update Reply-To: eskrima@martialartsresource.net FYI, the ever popular FMA FAQ http://www.martialartsresource.com/anonftp/pub/eskrima/digests/fmafaq.htm was recently updated to add info about Combat Kalaki Arcanis and Pangamot. Ray --__--__-- Message: 6 From: "bill m" To: Date: Tue, 4 Jun 2002 00:29:55 -0700 Subject: [Eskrima] June Pekiti-Tirsia seminars Reply-To: eskrima@martialartsresource.net Tuhon Bill McGrath June 8 - Fishkill, NY Double Knife Level 2 June 22-23 New Iberia, LA. Hand vs. Knife Level 1 Knife vs. Knife Level 1 Intro to Double Knife Master Instructor Erwin Ballarta June 20th Pontiac MI. Women's Self Defense June 22nd Pontiac MI. Pekiti-Tirsia Solo Baston & Knife For more information, visit the PTI seminars page at: http://pekiti-tirsia.com/seminars.html --__--__-- Message: 7 Date: Mon, 3 Jun 2002 22:06:52 -0700 (PDT) From: Mike Casto Subject: Re: [Eskrima] footwork? To: eskrima@martialartsresource.net Reply-To: eskrima@martialartsresource.net We pretty routinely do drills that are specifically focused on footwork. On top of this, most of the drills we do (whether hubad lubad, sumbrada, etc.) we emphasize and stress the importance of the footwork involved. As far as how we apply footwork and what we use it for ... the glib answer is: "to move our bodies around" ... but here are some of the basic items (I think most, if not all, are common and obvious ... especially in the FMA): Evasion (whether to avoid a blow or to beat feet out of the situation) Positioning (to put us in a good place to deal with an attack and give us options for our own attacks ... whether strikes, locks, sweeps, etc. ... also to try to gain advantage against multiple opponents) Body mechanics Balance (to maintain it, improve it, or to disrupt our opponent's) As an attack in itself (i.e.: stepping/stomping on feet or kicking as part of the footwork as with a sipa) I'm sure there are more ... but these are the ones that spring to mind first ... and they probably spring to mind first because they're the ones I hear/think about most often. Mike --- Ray Terry wrote: > I was asked to forward this to the list... > > > i'd like to throw out a topic for discussion... > uses of footwork, how > often does the system you train in practice it, > what do they tell you > are some of the purposes of footwork, and how do is > footwork discussed > and applied during drills, sparring, etc..? > _______________________________________________ > Eskrima mailing list > Eskrima@martialartsresource.net > http://martialartsresource.net/mailman/listinfo/eskrima ===== Mike Casto Asian Fighting Arts - Texas Representative Nacogdoches, Texas --------------------------------- Asian Fighting Arts - http://www.asianfightingarts.com Lansdale's Self-Defense - http://www.joerlansdale.com/shenchuan Martial Arts Seminar Listings - http://www.guild-hall.com/seminars Martial Arts Schools Database - http://www.guild-hall.com/schools Yahoo! - Official partner of 2002 FIFA World Cup http://fifaworldcup.yahoo.com --__--__-- Message: 8 From: Ray Terry To: eskrima@martialartsresource.net Date: Tue, 04 Jun 2002 7:38:10 PDT Subject: [Eskrima] Ties That Bind Reply-To: eskrima@martialartsresource.net Forwarding... Filipino Rope Techniques The Ties That Bind your Attacker by Andrew Breen Most martial artist familiar with the lightning-quick, staccato strikes of Filipino stick and blade arts. Few however, are aware of the unusual rope techniques of Filipino pananandata. Incorporating flexible weapons as well as the more common impact and edged weapons, pananandata is taught primarily in the central Luzon regions of the Philippines. The name pananandata is derived from Sanskrit, reflecting the historical and cultural origins of the Tagalog-speaking people of the Philippines. Pananandata incorporates the usual array of Filipino weapons, including the single stick, double stick, and the dagger-as well as any combination thereof. In addition it also encompasses a fully developed sub- system of rose and chain techniques not generally seen in the other Filipino fighting styles. There are a variety of rope and chain techniques to choose from, depending on the length, weight, strength, and "drop" characteristics of each particular weapon. For example, a chain, cord, or heavy rope can be used for whipping strikes. Lighter rope and twine, on the other hand, are nearly useless for striking purposes, but can be easily fashioned into a noose to capture or bind an opponent's arm, leg or neck. To understand the most effective usage of a given rope, its "drop" characteristics must first be considered. Simply put, a rope's "drop" refers to the way it falls or drops when one end is released. The heavier the rope, the "cleaner" the drop. According to Amante P. Marinas Sr., a 40-year practitioner of pananandata, "Ropes that drop clean are ideal for capture. Ropes that don't (drop clean) will need coaxing." Technique #1 The length of a rope is another factor to consider. If the rope has too much slack, it is difficult to capture the opponent's neck or arm because you cannot close the noose quickly. Most ropes, chains or belts should be three to four feet in length for best results. "If a rope is longer than the distance between your outstretched arms, you will be unable to stretch it by pulling its ends," Marinas notes. "The remaining slack lessens your control of the rope and makes it harder to snap quickly around the target." Closely related to a rope's drop characteristics is its weight. A belt or chain, for instance, could be used for preliminary strikes before employing an ensnaring technique. Generally, however, a thicker or more cumbersome weapon is easier for an adversary to see, and thus, defend against. A shoelace, while not an effective striking device, can be easily concealed due to its lack of substance. By hiding the shoelace in the fist of one hand, it can be brought suddenly into play and applied as a noose around the attacker's neck. It is important to differentiate between striking and capturing techniques. Pananandata rope techniques emphasize choking and binding tactics, not strikes. If a rope is heavy enough to deliver a stinging strike, so much the better. The real value of pananandata rope techniques, however, is their effectiveness in terms of immobilizing an opponent. Regardless of how strong or aggressive an opponent may be, he will not be able to resist a properly applied rope choke or arm lock. Unlike some empty-hand restraint and choking techniques, pananandata rope maneuvers do not depend on large hands, arm strength, or the like. Once the opponent is entangled in the rope or chain, leverage takes over and effects his submission. The arms and neck make the best targets for capturing techniques. Arm seizures are designed to neutralize and immobilize an attacking weapon such as a knife, stick or fist. Double-limb captures, whereby an attacker's follow-up strike is also restrained with the rope, are also possible. Technique #2 For a variety of reasons, the pananandata system places a greater emphasis on attacking the opponent's neck. For one thing, neck captures are usually safer than arm ensnaring techniques-once you have closed the distance, that is. In addition, applying an improvised noose to an attacker allows you much more control over his fate. Capturing and cinching the neck is, in effect, the same as garroting an assailant. A well-executed choke stops an attacker cold, preventing him from continuing his assault. The footwork involved in pananandata rope techniques is similar to that used with other weapons. According to Marinas, all advances and retreats should be done at an angle for safety's sake. Moving toward or away from an opponents attack at a 45-degree angle keeps the body out of the line of assault. Such angled footwork also places one end of the rope in an ideal position for the application of the noose. Marinas also advocates using short, quick steps rather than long ones. Shorter steps enable an individual to maintain his balance and execute the technique with control. In most cases, it is necessary to "soften up" the opponent with preliminary strikes before attempting a rope technique. Attempting to directly ensnare a free-swinging opponent's jab or, worse, his quick knife thrust, is not only next to impossible, but downright suicide. The key is to first stun the opponent and then wrap the rope around his arm or neck. "I use mostly an uppercut to the side, and then apply the choke or capture," Marinas notes. He also uses a double clap to the eardrum after maneuvering behind the at- tacker, then draws the loop tightly around his opponent's neck. The striking techniques not only stun the opponent, they also keep him from moving away before you apply the noose. To ensure the success of the ensnaring maneuver, it may be a good idea to hit the opponent two, three, or even four times during the course of the technique. The blows do not have to be heavy, just enough to facilitate the rope technique. Technique #3 To practice pananandata rope techniques, have a partner remain stationary, then slowly work on capturing his arm or neck and tightening the rope. Your partner aids in the process by extending his arm or lowering his head to simplify the capture. Once you have the basic maneuver down, the next step is to employ the ensnaring techniques against your partner's simulated attacks. While practicing, be sure to integrate the proper footwork and striking patterns so they will become second nature. Care must also be exercised to prevent injuries. A practitioner's empty-hand skills may be the most significant factor in whether a rope technique works. Before the technique can be applied, the practitioner must first evade and/or block his opponent's attack, counterattack as he closes the gap, and then strike again with stunning techniques to set up the ensnaring maneuver. "Without good empty hands, forget the rope," Marinas says. "You have to understand unarmed self-defense first." Thus, pananandata rope techniques operate in the reverse of other Filipino weapons. Generally, Filipino stylists first learn the concepts of armed combat application, then progress to empty-hand maneuvers. With rope binding techniques, however, practitioners must be fairly proficient in unarmed tactics before attempting captures and immobilization maneuvers. Once you have learned basic rope skills, you will discover that other flexible devices- electrical cords, belts, neckties, etc.- can be improvised into weapons as well. After all, you may not have a rope or chain available when you are attacked on the street. These other devices, however, can be just as effective. Pananandata rope techniques offer another option for defending yourself in the unpredictable arena of personal combat. Next time you are attacked on the street, imagine your assailant's surprise when you tie up his punch and yank him to the ground. It's a conceivable defense with Filipino rope techniques - the ties that bind. About the author: Andrew Breen is a Boston-based freelance writer. --__--__-- _______________________________________________ Eskrima mailing list Eskrima@martialartsresource.net http://martialartsresource.net/mailman/listinfo/eskrima http://eskrima-fma.net Old digest issues are available via ftp://ftp.martialartsresource.com. Copyright 1994-2002: Ray Terry and the Martial Arts Resource Standard disclaimers apply. Remember 9-11! End of Eskrima Digest